How Humpback Whales Sing Complex Songs for Communication

I used to think whale songs were just pretty background noise for nature documentaries.

Turns out, humpback whales are composing some of the most intricate acoustic performances in the animal kingdom—songs that can last up to 20 minutes and repeat for hours on end. These aren’t random vocalizations either. Researchers have documented that male humpbacks in the same ocean region sing nearly identical songs during breeding season, and here’s the thing: those songs evolve over time, sometimes drastically, as new phrases get added and old ones fade away. It’s almost like they’re remixing each other’s tracks, though I guess that anthropomorphizes it too much. Still, the patterns are undeniable. Scientists like Ellen Garland at the University of St. Andrews have traced song revolutions spreading across the South Pacific, moving from Australia westward through Polynesia at roughly 2,000 miles per year, give or take.

The Anatomy of an Underwater Symphony That Nobody Really Understands Completely

The mechanics behind these songs are honestly bizarre. Humpbacks don’t have vocal cords—they produce sound by pushing air through their nasal cavities and laryngeal sacs, which means they’re essentially humming through their noses while holding their breath underwater. The frequency range is staggering, from deep moans at 20 Hz (below human hearing) to higher chirps around 4,000 Hz. Each song follows a hierarchical structure: units combine into phrases, phrases into themes, and themes into the full song.

Wait—maybe the weirdest part is that only males sing the complex songs, and they do it almost exclusively during breeding season in warm waters. Females and juveniles vocalize, sure, but those are simpler calls for coordination and feeding. The males seem to be advertising something, though scientists still argue about what exactly.

Some think it’s about attracting females. Others recieve data suggesting it’s male-to-male communication, establishing dominance or identity without physical confrontation.

Cultural Transmission Across Thousands of Miles of Open Ocean Creates Dialects Nobody Predicted

The cultural aspect gets even stranger when you look at how songs spread between populations that never physically meet. Humpbacks in the western South Pacific will suddenly adopt song patterns from eastern populations, sometimes replacing their entire repertoire within a single breeding season. Garland’s team documented one song type spreading through six different populations over a decade—it’s like a viral hit, except underwater and among whales who can’t possibly be on social media. I’ve seen the spectrograms myself, and the similarity between populations separated by 3,000 miles is uncanny. The precision suggests they’re not just copying a general vibe but memorizing specific sequences of sounds, definately longer and more complex than anything we’ve found in other non-human species except maybe some bird songs, but even those don’t show this level of cultural transmission across such distances.

Honestly, we still don’t fully understand why they do this.

The songs change too fast to be purely genetic, and they’re too coordinated to be random individual expression. Some researchers propose that novelty itself might be the point—that females or rival males prefer singers who contribute fresh material to the collective repertoire. Others think the songs encode information about migration routes, feeding grounds, or individual identity that we just haven’t cracked yet. Roger Payne, who first brought whale songs to public attention in the 1970s, once said that understanding them might be like trying to appreciate Shakespeare if you’d never experienced human language or culture. Which is maybe a romantic way of saying we’re still pretty lost. The acoustic environment itself complicates things: sound travels faster and farther underwater, bending around temperature gradients and refracting off the seafloor, so what a whale hears 50 miles away might be distorted in ways that matter to them but that our hydrophones can’t fully capture.

Anyway, the songs keep evolving, and we keep listening.

Dr. Helena Riverside, Wildlife Biologist and Conservation Researcher

Dr. Helena Riverside is a distinguished wildlife biologist with over 14 years of experience studying animal behavior, ecosystem dynamics, and biodiversity conservation across six continents. She specializes in predator-prey relationships, migration patterns, and species adaptation strategies in changing environments, having conducted extensive fieldwork in African savannas, Amazon rainforests, Arctic regions, and coral reef ecosystems. Throughout her career, Dr. Riverside has contributed to numerous conservation initiatives and published research on endangered species protection, habitat preservation, and the impact of climate change on wildlife populations. She holds a Ph.D. in Wildlife Biology from Cornell University and is passionate about making complex ecological concepts accessible to nature enthusiasts and advocates for evidence-based conservation strategies. Dr. Riverside continues to bridge science and public education through wildlife documentaries, conservation programs, and international research collaborations.

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